Feeling Good

Feeling Good

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Best plays of the 2020s so far

2024: the best theatre of the year

The Abbey Theatre's launch 120 years ago

Beards: A queer cover-up with serious ambition

Guest Host Stranger Ghost: Absurdist comedy for renters in limbo

Grania: Lady Gregory’s bad-girl drama

Nobodaddy: A dance draining movement of meaning

Industry anger becomes art at Dublin Fringe

Chicken: An off-the-wall play goes surprising places

Somnium: Song of retribution gets lost in transmission

Reunion: A magnificent family mystery that lingers in the mind

The rumblings underneath a year celebrating women

The Sugar Wife: A sabotaged marriage meets an uneasy racism satire

Winter Journey: An eclectic Schubert walkabout through a Cork neighbourhood

Grace: A ghost story that’s touchingly believable

Impasse: A dance running nowhere and getting somewhere

Cellule: What is this krump dance going to battle for?

Jilly Morgan’s Birthday Party: The sad lives of the obsessed

I’ve Always Liked the Name Marcus: A soul-search brimming with attitude

Suzy Storck: Finding compassion for an overwhelmed mother

Palimpsest: A century spent physically apart

Salome: Saved by one commanding performance

Audrey or Sorrow: Marina Carr’s play is kind of a mess

Possession: Teresa Deevy’s Táin story brought to life

The President: Hugo Weaving gives an obvious turn but the play has other surprises

Krapp’s Last Tape: Superb Stephen Rea in a brutally funny play

© 2025 Chris McCormack
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