Feeling Good

Feeling Good

Share this post

Feeling Good
Feeling Good
Grace: A ghost story that’s touchingly believable

Grace: A ghost story that’s touchingly believable

A nonspeaking autistic girl meets the ghost of her dead father, in Jody O’Neill’s poignant play.

Chris McCormack's avatar
Chris McCormack
Jun 16, 2024
∙ Paid

Share this post

Feeling Good
Feeling Good
Grace: A ghost story that’s touchingly believable
Share
Eleanor Walsh and Bryan Burroughs in Graffiti and Once Off Productions’s Grace by Jody O’Neill. Photo: Zé Bateira

Graffiti Theatre, Cork Midsummer Festival

★★★★☆

On a few occasions throughout Grace, Graffiti and Once Off Productions’s new play for young audiences, a character kindly asks us to accept what we’re seeing, as if it were something founded on not much proof.  “Would you believe it?” says a man, with warmth, in Bryan Burroughs’s fine performance. Indeed, the play seems to be asking us to suspend our disbelief, to embrace the supernatural. (“If I told you I wasn’t living, would you believe me?” he says).

The play may ask us to accept the man to be a ghost, and may usher us into the otherworldly, but there is something else in that question, written by Jody O’Neill, the playwright of the box-office sensation What I (Don’t) Know About Autism. In a drama about young neurodiverse people and their families, it sounds like a dignified invitation by a community who don’t often feel seen, wondering what would happen if they revealed themselves: “Would you believe it”?

This post is for paid subscribers

Already a paid subscriber? Sign in
© 2025 Chris McCormack
Privacy ∙ Terms ∙ Collection notice
Start writingGet the app
Substack is the home for great culture

Share