Feeling Good

Feeling Good

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2022: The best theatre of the year

Where is the master playwright?

Writing about the art of terrible men

A Whistle in the Dark: Flawless Brian Gleeson in Tom Murphy's masterpiece

Bros: Castellucci’s loudly incoherent experiment about the police

All Hardest of Woman: Sad tales of loss in the corridors of a maternity hospital

Colic: The losing fight with reality

Chalk About: The playtime’s the thing

The Cold Sings: The obsessed reflections in Sylvia Plath’s mirror

How to Be a Dancer: How Michael Keegan-Dolan took the alternative path

Oliver Cromwell is Really Very Sorry: Xnthony’s superb musical comedy

Conviction: Can theatre do anything about the trauma of lockdown? It turns out it can.

Spear: A school reunion drama in need of some propulsion

Lookout: Sweeping views on a city in crisis

Hive City Legacy: A new colony for a fresh attack

Wake: The folk-song afterlife beyond the disco ball

The Last Return: The high cost of “culture”

Any Attempt Will End: So over-the-top, it's difficult to take seriously

Dances Like a Bomb: A funny, tender dance about ageing

How a 162-year-old play by an Irishman came to speak to black trauma

Tarry Flynn: An eccentric rural comedy about a questionable past

Carmen: She’s beautiful and dangerous … and she’s having fun

Portia Coughlan: Bringing an unhappy housewife back, in the sad-girl era

© 2025 Chris McCormack
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